The Red Feather

Est. Stockholm, MMXI

The Red Feather.

A long-term home for original works.

A desk in a Stockholm study: the red feather cover, bound volumes labelled Story Worlds, Music, Literature, Film & Television and Theatre, film reels and a projector by the window.
The working table of the house
A writing desk with the Gibraltar manuscript, pens and lamplight — the working table of the house.
The house, an afternoon in Stockholm

Journal

Latest entries

View the Journal
A quiet archive room with tall shelves of cloth-bound books and labelled boxes.
The reading room, an evening in November

The Library

The rooms of the house

  • 01

    Music

    Original film scores, television music, game music, artist albums, concept albums and represented catalogues. Soundtrack work spanning more than two decades. The house maintains close, working relationships with producers, production companies and creators across the film industry, while continuing to develop original music of its own.

  • 02

    Literature

    Novels, children's books, dramatic writing, essays and long-form fiction. Gibraltar is one current manuscript within a broader literary catalogue developed and represented by the house.

  • 03

    Story Worlds

    Original intellectual properties developed across literature, music, film and other media. Each world is built to grow over decades, not seasons, and to move naturally between formats as it matures.

  • 04

    Represented Works

    Selected creators, catalogues and estates represented on a long-term basis. The house takes on new representation carefully, and only where the work belongs alongside what is already held.

The library grows slowly. Individual works will open in time.

Handwritten sheet music on a wooden desk, pencils, notebooks and lamplight.
A working table, sheet music in the margin

In the room

The house works closely with producers, production companies, broadcasters, publishers, rights holders, composers and writers, and develops original intellectual property alongside those collaborations. It is an active participant in the industries it keeps, not an observer of them.

Rights

Publishing, representation, licensing and stewardship of the works held by the house.

The Rights Desk
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